Textile investigations

I'm standing in the middle of them. In the middle of the paintings. That's how I know best what my body wants. If there are small puzzled, annoying movements that are ready, then there are small squeaky pencil lines that get through. Other days the body will be angry, protesting or just with a lot of joy of doing; Then that's what happens - and I can go on with way too much paint and there is way too much mess. But that's what I'm doing. It's when my body is closest to work that I work well. And the gestures can't lie. Then it's just me.